By Pritha Sarkar
PARIS (Reuters) - For once, Dinara Safina chose not to use
up one of her 'many lives' on Thursday and swept into a French
Open final against the new queen of women's tennis.
Ana Ivanovic produced a scrappy, brittle and erratic
performance but that did not stop her from ascending to the top
of the women's rankings following a 6-4 3-6 6-4 win over fellow
Serb Jelena Jankovic.
Ivanovic may have fulfilled one of her childhood dreams by
ending Maria Sharapova's reign as world number one but she will
be aware that top spot will count for little if she fails to
win the claycourt crown at Roland Garros on Saturday.
"It was a tough match, there were lots of ups and down. I
was just so happy to stay strong in the end and win the match,
but it was a very tough one," said Ivanovic, a finalist here 12
months ago and at the Australian Open in January.
Asked what her plans would be for the night after she blew
a 3-1 lead in the final set, Jankovic joked: "Kill myself?"
While Jankovic tried to comprehend another semi-final flop
at a major, Ivanovic will be hoping it will be third time
lucky.
To win the title Ivanovic will have to break the
indomitable spirit of Safina, who reached her first grand slam
final by overpowering fellow Russian Svetlana Kuznetsova 6-3
6-2.
The younger sister of Marat Safin had staged two successive
great escapes, coming from a set and match points down to beat
Sharapova and seventh seed Elena Dementieva, to reach the
semis.
It led to fourth seed Kuznetsova declaring: "She has too
many lives, so I have to be careful with her."
But the 2004 U.S. Open champion failed to heed her own
words and became the third top-10 seed to fall under Safina's
spell.
"It was pretty horrible," said a disgusted Kuznetsova, whom
Justine Henin had picked as her successor to the title.
"I felt pretty bad out there, I could not give her fight
because I was fighting first against myself and I cannot go
further than that."
HOT HEAD
Playing a hot-headed rival who had spent almost 5-1/2 hours
on court in her last two matches, Kuznetsova would have been
expected to wear down Safina.
She had no such luck, however, and her normally reliable
forehand crumbled. No matter what she tried, she shanked
forehands wide, behind the baseline, and even into her own half
of the court.
After the first set, which featured five breaks, Kuznetsova
suddenly exploded in the fifth game of the second when she was
down 0-15. She blasted the ball 12 rows deep into the stands,
incurring a warning.
Such outbursts would normally be expected from Safina
rather than her opponent but not on Thursday. The 13th-seeded
Russian kept a lid on her emotions and sealed the greatest
triumph of her career when Kuznetsova ballooned yet another
forehand wide.
"At 5-2 I got a little bit tight but I thought no, no, no,
otherwise I will go home. It feels amazing," grinned Safina.
"But I'm still here. I won in straight sets so that's
strange for me. I didn't expect I could get into the final. The
less you expect, the more you get."
The win also gave the Safin family a unique place in the
record books. With Marat owning two grand slam trophies,
Safina's win on Thursday means Saturday's final will mark the
first time a brother and sister have appeared in grand slam
singles finals.
Ivanovic had shimmied into the last four, dropping only 20
games en route. But her contest against Jankovic, in which the
number one ranking was also on the line, was plain ugly.
Both players had honed their skills in a drained swimming
pool back home in Belgrade but they might as well have been
playing in a pool of water as they struggled to stay afloat.
Error after error was followed by break point after break
point. With neither being able to assert her authority, both
became tetchy and tested the umpire's patience by dragging him
down from his chair time and again to inspect the mark on the
close line calls.
In the end, the statistics told their own story. With at
least 30 break points in the match and 13 of them being
converted, the first all-Serb grand slam semi-final will not be
remembered as a classic.
(Editing by Clare Lovell)